Untitled (I’m Turning into a Specter before Your Very Eyes and I’m Going to Haunt You), 1992, Oil stick, gesso, and graphite on canvas, 80 1/8 x 32 1/8 x 2 in.
Prisoner of Love Edition 1, 1992, Oil and gesso on linen, 80 x 30 x 1 3/4 in.
Untitled (Passing), 1991, Oil stick, gesso and graphite on canvas, 80 x 30 in.
Untitled (I Lost My Voice I Found My Voice), 1991, Oil stick, gesso and graphite on canvas, 80 x 30 in.
Untitled (Wrong Nigga To Fuck With), 1991, Oil stick, gesso and graphite on canvas, 80 x 30 in.
Untitled (I Remember the Very Day That I Became Colored), 1990, Oil stick, gesso, and graphite on wood, 80 × 30 in.
English artist Chris Wood creates glass wall-panels that showcase maze-like structures that give the illusion of depth and brilliance through the glass’ interaction with natural and artificial light sources. The artist’s usage of small, reflective, dichroic (meaning “two color”) pieces of glass lets her easily create complex patterns of light and shade; the colors and textures that derive from these structures change in accordance to the position of the viewer and the angle of the light source, making her work an ever-changing, almost magical and intriguing phenomenon. Read more on Hi-Fructose.
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